Georgiosi makes beautiful lighting and light sculptures, using his most powerful of tools, skill, creativity and imagination. All materials are considered for their ability to sculpt the light they embrace, making for some very effective results, as you can see below. Have a look at his shop to see some more very impressive pieces.

There are many things we can say about the failings and ills of our society, but the most worrying are
the apathy and abstinence from positive and proactive input from certain sectors. Many have
become spectators of life rather than participants; television for example, in the form of reality
shows creates confusion between fame and achievement and because of its accessible nature and
selective (edited) exposure of facts, gives the false impression that such things are easily gained
without the investment of learning, effort or struggle. As a result viewers, particularly but not
exclusively the young, find themselves disconnected and struggling to find a purpose in a world that
does not match their expectations.

What to do?

While there is no ‘one-size-fits-all’ solution there are, in my opinion, things that can be done to
provide these people once more with a sense of doing, being and purpose; to feel that their
existence is justified just.

What better way to show evidence of our existence and identity (apart from creating children), than
to leave behind a tangible object created by hand?

Today the media is full to bursting, of programmes and articles dedicated to the tangible handmade
achievements of the past, such as the Antiques Road Show, Victorian/Edwardian Farm and most
recently, Handmade in Britain (to name but a few), where experts extol the virtues of craftsmen and
craftsmanship. They talk about the detail, the design, the skill, the workmanship and the fact that
many of these items are still in working use, literally hundreds of years later.

These antique objects and artefacts were as a result of ‘skilled manual labour’ the bi product of
which was being usefully occupied. There was a time when the term ‘manual labour’ meant and
(maybe in some eyes) still does mean today, demeaning, soulless work. However, we have forgotten
(or choose to ignore) that manual labour, although sometimes hard, was also associated with an
honest day’s work and more often than not there was something tangible to show for the efforts
expended at the end of the day. In that time, it is possible, even likely, that when such a person put
their head on the pillow at night, tired and aching, they did not realise the significance and
importance of their exertions and maybe would not have been aware that they were satisfying an
innate need to be manually as well as mentally occupied.

Today, not only is very little built to last but also few people expect things to last, in their constant search for ‘the next thing’, this ‘have it all and having it now’ approach has been of no help and indeed has caused the financial mess the planet now finds itself in.

Nevertheless, there are some who are fully aware of the significance of such noble exertions, which I
repeat; we celebrate on a regular basis. Manual occupation is still one of the best ways to satisfy this primeval need and that there is nothing wrong in going to bed tired and aching, knowing that the
day has been used to its full with something to show at the end of it. Some have become obsessed
with jumping the gun, to get to the destination without going on the journey, let alone enjoying it!
The concept of physical struggle is now perceived as bad, to the extent that we are desperately
trying to eliminate it (in the western world at least), to our cost. The advancement of human
knowledge and discovery has done much to improve the plight of humanity but it has also done
much to take away the privilege of physical occupation and endeavour. Many children, from
underprivileged and privileged backgrounds alike, with their parents’ blessing are very ready, to
replace hands-on experiences, with virtual ones; the gaming industry was worth $105 billion in
August 2010.

But physical exertion, endeavour, struggle even, is still to this day, necessary in every human life.
When that is not present, an emotional as well as physical vacuum is created, which as we all know,
must be filled. Are our lives any “easier” today? I doubt it. We’ve simply replaced physical struggle
with mental anxiety.

Art, Craft and Manual Production satisfy that need on every level.

When making, a process is gone-through, which uses pretty much all of our faculties:
Desire and/or need; concept; design; sourcing of materials; establishing the strengths and
weaknesses of both material and maker and then through trial, error and ingenuity working with or
around those attributes and limitations, to finally be confronted with something that is real, knowing
that so much of oneself has gone into the very fibre of the work.

But there are obstacles in the form of modern-day fears and insecurities that currently pervade
every aspect of modern life which is so readily passed on to our children. They are no longer allowed
or encouraged to go out, to discover the world around them, in order that they might take risks, to
discover how things work, how they themselves work and how the two work together. They no
longer have the opportunity or are encouraged (as previous generations were) to find discarded raw
materials such as pieces of wood or old bicycle parts, to transform into go-carts or wooden boats,
that really do work. Making is as much a way of discovering how they work as how the world around
them works. We need to restore this human right to them and making – structured or otherwise, can
do that.

Using our hands to create things of beauty, use or both; using the raw materials we find around us,
where a battle of wills ensues between maker and material, grappling and tussling with that
material, until a truce – a compromise and understanding is achieved and something beautiful
emerges. It is this struggle that helps define us as human beings and we need this affirmation, pretty
much on a daily basis, to keep us sane and healthy.

If we know this then why can making not become once more an integral part of our society and the
way we (parents and teachers) teach our children? What happened to Woodwork, Metalwork,
Needlework, Home Economics in the classroom? The old adage, “The only way to learn how to do
something is to do it” has never been more true. It is in the classroom and at home where we need
to start again, showing little children that those appendages called hands have a direct link to the
wellbeing of their mind and psyche as well as their sense of place and belonging. Today, a three year
old child has far more idea of what to do with a computer game controller than he does with
Plasticine, Playdoh, Lego or Crayons. I fear that the prophetic vision depicted in the (ironically)
computer-generated animation Wall-E, is much closer than we think!

If such a vision is to be believed, then we may be further down that path than is comfortable to
admit. I would argue that the recent inner city riots have been carried out by people who have come
to believe that there is no point in having a go at anything because it “won’t work” or at least they
have not been shown that it could. Some of us know it can work and that trying is part of the fun,
adventure and fulfilment. These unfortunate people are afraid to take the risk of discovering how to
do something that may or may not have a positive outcome, but from which they can learn and
improve. Instead they do something, which achieves instant gratification with the least effort and
ironically they feel more secure in doing because they are sure of the outcome. You throw a brick
through a window; you know what’s going to happen! But that is all that is ever going to happen- no
wonder frustration and violence are never far away. With making, there is always new territory to be
discovered, in the skill and in oneself.

If we could only pass onto others that sense of achievement and what it feels like to stare upon the
tangible and positive result of one’s own useful endeavours, then it will go at least some way to
improving the lot of individuals who currently have no hope.

Congratulations to Sandra Cotterell and Alison Buckle of the Chair Workshop on the opening of their Mini Site.

As the name suggests they restore and rennovate all manner of caned and rushed chairs, using appropriate materials, such as: Cane, Rush, Willow, Rope, Danish Cord and Seagrass.

So if you have a chair that looks as if it has seen better days and would like to restore it to its former glory then why not get in touch they will be happy to discuss your requirements

They are also keen to pass on their knowledge in the form of workshops for those who wish to learn the art of cane and rush work, at the very reasonable price of £20 per hour plus materials

Please see their shop for more details

Launched in 2011, The Balvenie Masters of Craft is designed to celebrate the varied range of handcrafted skills that are currently thriving across Great Britain and Northern Ireland. Craftsmanship is at the heart of everything that goes into making The Balvenie and, as the most handcrafted Single Malt Scotch Whisky it is in a unique position to showcase the skills, dedication and passion that are needed to be a craftsperson in today’s world.

The Balvenie Masters of Craft features ten categories, including two new additions for 2012. The search for talented craftspeople who work with Wood, Glass & Ceramics, Metal, Leather, Textiles and Stone will be open along with, for the first time, people who produce handcrafted, artisan Food.

Last year Made by Hands of Britain, put forward several makers and was delighted when two of those makers: Adrian Morgan Boat Builder and Amanda Winfield, Glass Maker were awarded a place in the final and the right to be featured in the beautiful book that accompanied the event.

Alongside the returning ‘Young Master of Craft’ award, open to craftspeople between the ages of 21 and 30, and the ‘The Balvenie Master of Craft’ award comes the new ‘David Stewart Life Time Achievement’ award - a special award dedicated to, and judged by David Stewart, The Balvenie Malt Master who is this year celebrating an unprecedented 50 years at The Balvenie. The award is open to craftspeople that have a proven longevity and expertise in their craft.   

The original judging panel from the inaugural The Balvenie Masters of Craft are returning for a second year and will be joined by three new members. Headed by David Stewart, The Balvenie Malt Master and leading lights in the British craft industry: TV presenter and author Kevin McCloud, Chairman of the Heritage Crafts Association, Robin Wood, expert crafts photographer, Nick Hand and Anne Cuthbertson, Editor of The Sunday Telegraph Life. 

Ruth Emily Davey winner of The Young Master of Craft 2011 will feature in the new line-up alongside Professor Stephen Dixon, Maker-Trustee for the Crafts Council and Melina Keyes, Entertainment Director for Wallpaper* magazine.   

On the return of the awards, David Stewart, the whisky industry’s longest serving Malt Master said: “At The Balvenie Distillery we are lucky enough to have a team of highly skilled craftspeople on site, from the farmers who grow our barley to our team of malt men, coppersmiths and coopers. Their talent and dedication to their craft goes into every drop of The Balvenie that we produce.” 

“The UK is and always has been a hive of craft and we know that there are pockets of traditional and handmade skills being practised all over the country. It is these fellow craftspeople we want to find and celebrate through the campaign.” 

On being asked to judge the awards for a second year, TV presenter and author Kevin McCloud said: “It is an honour to be returning as a judge of The Balvenie Masters Of Craft, last years’ awards were a great success with some extremely well deserved winners.” 

“Being a master craftsperson takes years of training, hard work and dedication, I am extremely excited to see this years’ entries.”

Award Categories
There are seven individual craft categories and we will award a ‘Best in Category’ for each. From these entries, we will appoint an overall Master of Craft award.  

• Category 1: Stone
• Category 2: Wood
• Category 3: Metal
• Category 4: Glass and Ceramics
• Category 5: Textiles
• Category 6: Leather
• Category 7: Food 
• Category 8: Young Master of Craft (open to craftspeople between the ages of 21 and 30 years old)
• Category 9: The David Stewart Life Time Achievement Award (open to craftspeople that have a proven longevity and expertise in their craft.  )
• Category 10: The Balvenie Master Of Craft 2012

For more information on the campaign, or to nominate a craftsperson visit: www.thebalvenie.com  

Eleanor Christine makes some quite beautiful and unique pieces of Jewellery for men and women. She uses many traditional methods including constructed, wax carved, cast and hand pierced to make her sculptural and statement pieces in gold silver and semi precious stones. Take a visit to her shop and see if you can find that piece that makes a statement about you!